The Red Velvet Lawyer

"We are living in a moment of time, the first moment of time, when a billion people are connected, when your work is judged (more than ever before) based on what you do rather than who you are, and when credentials, access to capital, and raw power have been dwarfed by the simple question "Do you care about what you do?  We built this world for you.  Not so you would watch more online videos, keep up on your feeds, and LOL with your high school friends.  We built it so you could do what you're capable of.  Without apology and without excuse.  Go."  Seth Godin, The Icarus Deception . My little law school, Appalachian School of Law (ASL), sets itself apart from the crowd in several ways, but perhaps its unique feature is a fearless bet on students who might not otherwise have the opportunity to attend professional school.  We tell them: "Go."  Our students, often showing a poorer performance on the standardized admission exam, show great promise as they mas

As I read Seth Godin's new book, The Icarus Deception , I kept asking myself: What is my art?  What do I create joyously, diligently, passionately, and with increasingly greater skill and insight? In the early 1970s, my high school  -- University City High -- had one of the most REMARKABLE art departments in all of St. Louis County.  Staffed by three teachers, the program taught painting, drawing, sculpture, ceramics, and fiber arts. Thirty years later, I still have pieces of art I created at that time: pencil drawings of my boyfriend and the male rhinoceros at the zoo; a bronze cast sculpture of a heavy-bottomed woman; a huge hookah pipe, made of coiled clay, I now use as a deck ornament; a silk screened T-shirt imprinted with an original design; and watercolor landscapes. The program also introduced me to many techniques and materials that I have used fearlessly throughout my life. The course made me a better problem-solver.  About a week ago, I needed to create a "vis

I finished Seth Godin's new book, The Icarus Deception .  I like his "big ideas." In this book, he argues that in a post-industrial economy, in which we are bombarded with media messages, we will stand out only if we give a gift to the world that is REMARKABLE.  The gift, freely given from a place of urgency and pure joy, is our art. While I don't see an effort to clearly define what "art" he means, he uses the term so broadly that it could include any creative effort that you pursue diligently, passionately, and with increasingly greater skill and insight.  It requires you to face down your own fears of failure and inadequacy (which he attributes to the "lizard brain," aka the amygdala and other fear centers of the left brain, mostly). It requires you to pursue your art even when those around you discourage you actively and more passively.  It requires you to separate your art from your own self-worth, so criticism of your art does not unbal